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ANDREA HEBERGER: Thor's hammer, Wolverine's claw, .... - legendary movie props for the Wunderkammer gallery in Zurich -- PLUS: LAUF Cycles spot, KHI Olive Oil, the musical AUGUSTIN, Vera Wang + Jared Jewelers, Steppenwolf Cycles, ....
FILM · 16.10.2025

ANDREA HEBERGER: Thor's hammer, Wolverine's claw, .... - legendary movie props for the Wunderkammer gallery in Zurich -- PLUS: LAUF Cycles spot, KHI Olive Oil, the musical AUGUSTIN, Vera Wang + Jared Jewelers, Steppenwolf Cycles, ....

Even as a child, art dealer and collector Christian D. Link was fascinated by all sorts of strange yet beautiful objects from another world – and from an early age, he developed an interest in the world of trading and collecting. He founded his Zurich gallery Wunderkammer in 2012.

The movie props shown here were photographed by Oliver NANZIG c/o ANDREA HEBERGER for WUNDERKAMMER. All photographed objects are for sale.

After a nearly 20-year career as a successful close-up magician, Christian D. Link became a full-time art dealer. Since 2021, he has also worked as the Head of Natural History and Natural Sciences at Koller Auctions in Switzerland, where he founded the new "Out of This World" department.

After five highly successful natural history auctions in Europe, including the groundbreaking sale of the very first Tyrannosaurus Rex at auction outside the United States, he is now continuing his career in New York, building up the natural history department at Phillips Auctions.

Credits

Client
Lauf CyclesNina von C.Vera Wang + Jared JewelersSteppenwolf BikesPersonal work
Usage
Campaign 2025
Advertising Agency
WeRiise
Art Director
Kate Skolas
Styling
JocelynBeaudoin c/o Art Dept.
Location
Iceland

About ANDREA HEBERGER

Can you imagine the smell of a bakery? Fresh, warm bread filling every room. That is the world I grew up in, my parents' bakery in Nuremberg, where I was born in 1960. Before I found my way into advertising, life took me through interior design and organic farming. I founded one of the first certified organic sheep dairies in Franconia. I have never been afraid of a completely new beginning.

In 1990, I arrived in the advertising photography market and never left. For nearly three decades I ran a classical representation agency, coordinated thousands of productions worldwide and built long-term relationships between photographers and clients across the international B2B landscape.

Then, at the end of 2017, I almost stopped.

After 27 years, I was close to burnout. And then, in that stillness, something became clear: the love of photography was still there. That signal was enough.

Since 2018, I have been doing what I was always meant to do. I work with a small, carefully selected group of photographers and visual artists as their strategic visibility partner and mentor. No commissions, no cold calls on their behalf, just consistent, curated presence in the B2B advertising market and honest guidance from someone who knows this industry from the inside out.

Over 32 years, I have lived through two revolutions in this business. The arrival of digital photography changed everything, and I welcomed it as liberation. Now artificial intelligence is reshaping our market with the same force, and I feel the same curiosity I felt back then. I help the photographers I work with use these developments strategically, without losing what makes their work irreplaceable: their visual signature, their creative authorship.

What I offer is not generated. It is lived.

GoSee : andreaheberger.de

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