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WHO CARES? – Social responsibility in contemporary art. Bernheimer Contemporary opens on 700 square meters, including a shop in Berlin. We wish we were artists too!
ART · 16.07.2015

WHO CARES? – Social responsibility in contemporary art. Bernheimer Contemporary opens on 700 square meters, including a shop in Berlin. We wish we were artists too!

Who cares? Isabel Bernheimer encourages the art world, as well as the design world with her gallery concept to think, and perhaps even to rethink. After academic studies and working at international galleries, she decided to open an agency for artists – and succeeded in a very short time. Her newest idea was followed by prompt action: Just last winter, she told us about her vision of a new type of gallery in the Monbijou Palais opposite the Bode Museum on Berlin's Museum Island – and, a little over half a year later, she already invited us to the grand opening. She likes it big! And she cares! And Isabel takes care of her handful of selected artists from the area of art to design the same way she realizes her visions.

So – what is there to see? The artists represented by the agency Bernheimer Contemporary show their works in all eleven rooms of the Monbijou Residence in the heart of Berlin, and ask the question with the exhibition, what responsibility art may, can, has to or should take for our society. "Together with my artists, I invite visitors to come and look, to reflect and maybe even rethink." Isabel says to GoSee.

The very successful art exhibition presents sculptures, installations, drawings as well as paintings by Bernheimer Contemporary artists Milana Schoeller, Jan Kuck and Victor Alaluf, and nearly half of the objects shown were already sold during the pre-premier. There is also a design area in which designer Dirk Biotto presents his concepts and objects. In addition, work by Johannes Buss (Radical Adults Productions), Igor Vucic as well as video works by Tim Wolff and Oh-seok Kwon are presented.

In contrast to the typical program gallery, the agency Bernheimer Contemporary presents the exhibition with a constantly accompanying program. There is, for instance, a one-hour gallery where selected artists present a piece of art to the public for only one hour. Plus, there are plans for podium discussions and talks.

As varied as the approaches of the individual artists and their works may be, they all have a common denominator: They want to encourage and inspire visitors to think about the question "WHO CARES?". And Isabel would not be the perfectionist she is, if she did not also have a museum shop sales room right next to the artwork, which stands up to comparison with the large international museums.

Credits

Artist
Dirk Biotto - SOS-Trolley, 2015Jan Kuck - BLACK GOLD, 2015 (Nespresso-Kapseln, Harz)Igor Vucic - Ring, 2011 (300+ Grantensplitter)Victor Alaluf - Lost Garden, 2015Tim Wolff - Zigarettenverpackerin, 2013Jan Kuck - Who Cares
Usage
Bernheimer Contemporary Opening
Photographer
GoSee EVENTStefan Draschan
Jan KuckJan Kuck & Isabel BernheimerJan Kuck, Isabel Bernheimer, Dirk Biotto

About Isabel Bernheimer

Isabel Bernheimer surpasses the traditional role of a gallery owner. Instead she has developed a differentiated model, which measures up to both the global art market and the state-of –the-art forms of production used by the artists of the 21st century. “The White Cube has become an option amongst others. Today’s artists work with multiple media, in situ – as in site-specific-, temporary for changing settings and with a diversity of partners ranging from museums to collectors or corporations.

According to the specific project and its subject matter, they model different formats simultaneously – edition, ready made, multiple, collage, sculpture, installation, video, inter alia. I see myself as a moderator as well as a translator in the dialogue between our partners and their conceptions.”

Isabel Bernheimer comes with optimal skills and knowledge required for the job. It’s not just her expert eye for highest quality that has been trained from early childhood on, but also her fifteen years’ practical experience in the art business, whose facets and finesses she became acquainted with in the form of “learning by doing” from scratch. She quickly assumed responsibility over large projects. As an assistant of the registrar of the Haus der Kunst in Munich, she contributed to spectacular exhibitions such as Paul McCarthy’s “LaLa Land Parody Paradise” in 2005. Matters regarding transport, insurance, construction and de-construction, as well as logistics and communication between artists and technicians were in her hands.

From 2005 to 2007 she supervised all organisational and administrative procedures of Hauser & Wirth’s three London galleries, and subsequently of Esther Schipper’s gallery in Berlin until 2009. After that she took over the management of the loan office for the mega show “WeltWissen. 300 Jahre Wissenschaften in Berlin” at Martin-Gropius-Bau, comprised of 1600 objects from 210 different lenders, and the administration of Berlin’s KW Institute for Contemporary Art and of the Berlin Biennale in 2012.

Isabel Bernheimer’s highest passion, however, lies in the close cooperation with both emerging and established artists. “I live and breath in their world.” She worked on projects with Olaf Eliasson (“Little Sun”, Christmas display of Milan’s high-end department store La Rinascente, 2012), Foster Huntington (“1istmirwichtig.de”, Allianz Germany, 2013) and contributed to Heinz Mack’s installation “The Sky over Nine Columns” – which was on show parallel to the architecture Biennale in Venice in 2014 – these endeavours demonstrate her creative potential to turn visions into reality, regardless of the challenges.

GoSee : bernheimercontemporary.de

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