“It’s always something very special to be able to photograph these vehicles,” says Holger Wild. For this shoot, the location scouting deliberately focused on minimalism, clarity, and modernity - without visually overpowering the subject. At the same time, the environments needed to harmonize with the color palette of the cars. “The location should support the vehicles, not dominate them,” explains the concept by Tim Lehnebach (CD) at Grabarz & Partner.
Another key challenge was finding settings remote enough to ensure the necessary discretion for the still confidential vehicles, no easy task for Wide Production. The results, however, speak for themselves. And yes: the green location is real, the white one as well.
“Many thanks to everyone involved, as well as Trey Postproduction for their great support,” adds Holger Wild.
