Maria Therese and Andreas Öhlund’s different background and approaches complement one another in their daily work. For them, fashion photography is less about reproducing generic concepts of beauty and more about enhancing an already existing sense of individuality, in order to make the world a more interesting place." LUNDLUND tells us about the two artists represented by them. We show you how great that indeed looks with the example of their editorial for ELLE France. Photography: Andreas Öhlund & Maria Therese c/o LUNDLUND. Stylist: Jeanne Le Bault. Hair: Laurent Philippon, make-up: Lili Choi, and last but not least, in front of the camera: the one and only Edita Vilkeviciute.
Free and modern: Model Birgit Kos is 'The Young Marie Antoinette' for VOGUE China - photos by Camilla AKRANS c/o LUNDLUND.
''Everbody's Happy Nowadays' - and what that actually looks like fashion-wise is presented to you by cheerful model Amber Witcomb in the cover story of 10 magazine, photographed by Mattias BJÖRKLUND c/o LUNDLUND.
'Snyggaste kläderna du kan köpa just nu' or the coolest clothes you can buy now - the photos in CAFÉ magazine by Elisabeth TOLL c/o LUNDLUND, Styling Emine Sander.
"Rodebjer was founded in New York in 1999 by native Swede Carin Rodebjer. After she was spotted on the streets of Manhattan wearing her handmade designs, she started selling her fashion to friends and stores in New York and in Stockholm. Since then, Rodebjer, has grown steadily and is now available in our own two stores in Stockholm and in our webshop. The collections can also be found in the best department and key stores throughout Sweden and with selected retailers in over 20 countries." The new Pre-Fall 2018 collection was photographed by Alice Rosati, and on her side for styling & set design was artist Liselotte WATKINS c/o LUNDLUND. GoSee : rodebjer.com
Stockings that set you legs free - the spread in VOGUE Russia, photographed by Frida MARKLUND c/o LUNDLUND, Stockholm.
Paper story in DREAM magazine - photos by Mattias BJÖRKLUND c/o LUNDLUND.
