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Simone SCHNEIDER c/o ANDREA HEBERGER photographed for the label FYNCH-HATTON in the Camarque, France
ADVERTISING · 12.03.2025

Simone SCHNEIDER c/o ANDREA HEBERGER photographed for the label FYNCH-HATTON in the Camarque, France

The FYNCH-HATTON label was named after Denys Finch Hatton, born on April 24, 1887, in England. As the second son of an earl, he grew up in privileged circumstances.

In 1911, Denys Finch Hatton traveled to British East Africa, present-day Kenya, and was immediately captivated by the country's beauty and wildness. He decided to stay there and quickly made a name for himself as a safari guide. His services were sought by many prominent and wealthy tourists, including Edward, Prince of Wales, later King Edward VIII.

Roger Brandts, descendant of a cloth-making family, decided, like Denys Finch Hatton, to embrace adventure and founded his own fashion company in 1998.

The name was quickly chosen: Fynch-Hatton, as a tribute to Denys Finch Hatton, who impressed with his independence, sense of adventure, and love of freedom. FYNCH-HATTON is now represented at around 2,300 points of sale in 55 countries.

The images shown here were photographed by Simone SCHNEIDER c/o ANDREA HEBERGER for the fashion brand with the umbrella acacia tree as its logo.

GoSee : fynch-hatton.com

Credits

Client
Fynch Hatton
Production
Mr. T
Usage
Campaign F/S 2025
Art Buyer
Vera Tröger

Featuring

About ANDREA HEBERGER

Can you imagine the smell of a bakery? Fresh, warm bread filling every room. That is the world I grew up in, my parents' bakery in Nuremberg, where I was born in 1960. Before I found my way into advertising, life took me through interior design and organic farming. I founded one of the first certified organic sheep dairies in Franconia. I have never been afraid of a completely new beginning.

In 1990, I arrived in the advertising photography market and never left. For nearly three decades I ran a classical representation agency, coordinated thousands of productions worldwide and built long-term relationships between photographers and clients across the international B2B landscape.

Then, at the end of 2017, I almost stopped.

After 27 years, I was close to burnout. And then, in that stillness, something became clear: the love of photography was still there. That signal was enough.

Since 2018, I have been doing what I was always meant to do. I work with a small, carefully selected group of photographers and visual artists as their strategic visibility partner and mentor. No commissions, no cold calls on their behalf, just consistent, curated presence in the B2B advertising market and honest guidance from someone who knows this industry from the inside out.

Over 32 years, I have lived through two revolutions in this business. The arrival of digital photography changed everything, and I welcomed it as liberation. Now artificial intelligence is reshaping our market with the same force, and I feel the same curiosity I felt back then. I help the photographers I work with use these developments strategically, without losing what makes their work irreplaceable: their visual signature, their creative authorship.

What I offer is not generated. It is lived.

GoSee : andreaheberger.de

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