Some people look at photography. Roy Kahmann looks for photographers...
Seit mehr als zwei Jahrzehnten hat der Amsterdamer Verleger, Kurator, Sammler und Galerist Roy Kahmann das Entdecken und Fördern fotografischer Talente zum Herzstück seiner Arbeit gemacht. Was mit der Kahmann Gallery und dem GUP Magazine begann, hat sich inzwischen zum umfassenden Hungry Eye Universum entwickelt – mit Publikationen, Ausstellungen, Repräsentanz und einer Plattform für die nächste Generation von Bildschaffenden.
Eine der zentralen Initiativen ist FRESH EYES. 2012 als GUP NEW TALENTS gestartet und 2019 in FRESH EYES umbenannt, hat sich die Publikation zu einem viel beachteten Kompendium für aufstrebende Fotografie entwickelt. Für jede Ausgabe wählt eine internationale Jury 100 Fotografen aus aller Welt aus. Das Spektrum reicht von konzeptioneller Fotografie bis hin zu experimentellem Visual Storytelling – und zeichnet damit ein spannendes Bild davon, wohin sich zeitgenössische Fotografie gerade bewegt.
Die aktuelle Ausgabe FRESH EYES x Hungry Eye 2026 ist jetzt erschienen. Doch für Roy Kahmann hat die Förderung eines Fotografen noch nie mit der Veröffentlichung in einem Buch aufgehört.
Die Hungry Eye Gallery, die 2025 aus der Kahmann Gallery hervorging, bietet aufstrebenden ebenso wie etablierten Künstler eine eigene physische Plattform nahe Amsterdam. Und Roy sucht unermüdlich weiter nach neuen visuellen Stimmen. Erst kürzlich nahm die Galerie den französischen Fotografen und Visual Artist William Ernult in ihr Programm auf – ein außergewöhnliches neues Talent, das erst seit relativ kurzer Zeit hinter der Kamera steht und dennoch bereits Arbeiten von bemerkenswerter emotionaler Kraft geschaffen hat.
Und dann ist da noch die Messe. Die Hungry Eye Fair.
Nach zehn erfolgreichen Ausgaben der Haute Photographie in Rotterdam führt Roy Kahmann seine Vision nun unter dem Hungry Eye Banner weiter. Vom 2. bis 6. September 2026 feiert die Hungry Eye Fair in der Amsterdamer Kromhouthal Premiere.
Statt der üblichen Aneinanderreihung steriler Messekojen präsentiert Hungry Eye Fotografie in einem bewusst kuratierten, fast musealen Setting. Gleichzeitig erhalten unabhängige und nicht von Galerien vertretene Fotograf direkten Zugang zu internationalen Sammlern, Kuratoren und Institutionen – und damit eine Bühne, die ihnen im klassischen Kunstmarkt häufig fehlt.
GoSee sprach mit Hungry Eye Gründer Roy Kahmann über das Entdecken neuer Talente, die Kraft von Print, seine ungebrochene Leidenschaft für Fotografie – und natürlich die Hungry Eye Fair im September in Amsterdam.
What still makes you stop when you discover a photographer you have never heard of before?
It comes down to raw emotional resonance and absolute authenticity of vision. When you’ve been looking at photography for decades, you develop a second nature for spotting when an image has a soul versus when it’s just technically proficient or chasing a current trend. I stop when I encounter a sacred world, a photographic voice that isn't trying to copy someone else, but demands that you slow down, look closely, and feel something immediate. That gut-level spark has never changed for me since 1979.
How much does experience actually matter when you discover someone, and what did you see in William Ernult that convinced you?
Technical experience can be learned; pure talent and a unique visual instinct cannot. For me, years of formal training matter far less than a sharp eye and an uncompromised vision. William is a true "rough diamond." Despite stepping behind the camera relatively recently, his work instantly stood out. He possesses an innate understanding of light, texture, and visual narrative that usually takes years to develop. When I see that level of raw potential, my instinct isn't to ask about their resume, it's to give them a platform to flourish.
With an enormous amount of photography being produced today, how do you distinguish between someone making strong images and someone who actually has the potential for a lasting career?
A single strong image is great for a momentary double-tap on social media, but a lasting career requires depth, consistency, and a personal narrative. A true artist isn't just taking photos; they are building a body of work over time. Through FRESH EYES, our international jury looks for photographers with a clear conceptual backbone. A distinct point of view that can evolve without losing its integrity. Anyone can accidentally capture one great shot, but artists who last have an undeniable hunger and a persistent vision.
How do you find these photographers today? Are Instagram and online submissions important, do recommendations still matter, or do you need to encounter work physically?
It’s a hybrid world now. Platforms like Instagram and open digital submissions are fantastic discovery tools. They democratize access, allowing us to discover talent from every corner of the globe that we might never have reached otherwise. However, my roots are firmly in design and print. While digital tools act as the initial handshake, nothing replaces the moment you encounter the work physically. The physical print, the choice of paper, the scale, that is where photography reveals its true weight and craftsmanship.
Why is print still important for emerging photographers in 2026? Can appearing in a book still open doors that Instagram cannot?
Absolutely. Digital feeds are fast and ephemeral, images flash on a glass screen and disappear in seconds. Print demands permanence and respect. A book like FRESH EYES acts as a tactile, permanent piece of history. It creates a physical footprint that sits on the desks of curators, gallery owners, and serious collectors worldwide. Having your work printed on high-quality paper gives it an authority and legitimacy that digital pixels simply cannot match. It signals that an artist is ready to be taken seriously.
When you discover someone in FRESH EYES, is there a path from the book to an exhibition, the fair, and eventually gallery representation?
That is the core philosophy behind the entire Hungry Eye ecosystem. FRESH EYES is often the first international catalyst, the launching pad. From there, we actively look for opportunities to elevate that talent into the physical realm. We bring emerging photographers directly into Hungry Eye Fair and, crucially, to the Hungry Eye Gallery. We are proud to be the first fair organization to genuinely gift substantial exhibition space to young, unrepresented talent. We build a direct bridge from the page to the gallery wall and into the hands of international collectors.
Does AI-generated or AI-assisted work have a place in your definition of contemporary photography, and could we eventually find it in FRESH EYES or at Hungry Eye?
I have always had the utmost respect for the absolute integrity of the photographic process and the physical print. At its core, photography is about the human perspective, emotion and an authentic connection with the world. Although AI is a powerful visual tool that is undeniably reshaping visual culture, my passion remains rooted in the artist’s eye and the tangible craft of the print. Fortunately, however, even amidst these enormous technological shifts, there are little gems to be found. And by that I mean the human brain, the creativity of the person behind the tool that, in my view, AI represents. Here, you’ll find AI-assisted work, which is defined transparently and must also possess profound artistic value. However that final image is created. Our primary mission will always be to champion the human vision and authentic photographic talent.
Why was this the right moment for Amsterdam, and what can visitors expect in September that they would not find at a conventional photography fair?
After ten successful editions of Haute Photographie in Rotterdam, bringing the fair under the Hungry Eye umbrella to Amsterdam's Kromhouthal feels like a natural and exciting evolution. Amsterdam is a vibrant, global cultural hub, and the Kromhouthal gives us an incredible, industrial canvas. Visitors can expect a complete rejection of the standard, clinical art fair setup, no soulless, maze-like commercial booths. Instead, we create a curated, museum-like environment where photography is celebrated as an immersive experience, seamlessly combining established masters with fresh, unrepresented talents under one roof.
After looking at thousands of photographs over the years, are you still hungry? What are you hoping to discover next?
I am as hungry today as I was when I bought my very first Ed van der Elsken print back in 1979. What keeps me going is the thrill of the unknown. That moment when you turn a page or walk into a studio and discover a young artist who completely shifts your perspective. I am always looking for the next voice that hasn't been diluted by trends, someone who reminds us why we fell in love with photography in the first place. That hunt for raw talent is an engine that never stops.
HUNGRY EYE FAIR Amsterdam 2026
in collaboration with Amsterdam Fashion Week
Exhibiting work of 200 national and international photographers and welcoming more than 5,000 visitors each edition, it is the biggest photography event in the Netherlands.
FRESH EYES 2026, VOL. 2
Stay tuned for the official launch of the Fresh Eyes Book 2026 VOL. 2, which will debut during the fair alongside a curated exhibition celebrating this year’s featured artists. Get ready to discover some of the finest emerging voices in contemporary photography, both on the page and on the wall.
THURSDAY 3 SEPTEMBER, 17:00 - 19:00
The book will be available for purchase at the front desk of the fair or via email order after the launch.
HUNGRY EYES GALLERY
Our mission is to guide and support talented photographers/artists on their path to becoming strong, independent, and valuable artists in the world of fine art photography.