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Das Tear Couture Look Book featuring Acid Attack Survivor Patricia Lefranc - fotografiert von Rankin für MCCANN HEALTH LONDON und den Acid Survivors Trust International (ASTi) für Euch auf GoSee.News
SOCIAL · 31.01.2024

Das Tear Couture Look Book featuring Acid Attack Survivor Patricia Lefranc - fotografiert von Rankin für MCCANN HEALTH LONDON und den Acid Survivors Trust International (ASTi) für Euch auf GoSee.News

Renowned British fashion photographer Rankin cooperated with the Acid Survivors Trust International (ASTi) on a brand new campaign aimed at the prevention of acid attacks. For this purpose, he has created a lookbook – a photo catalogue typically used by the fashion industry as a guide with latest styles and fabrics – together with acid attack survivor Patricia Lefranc as his model.

The ‘Tear Couture Look Book’ aims to highlight the devastating effects of acid attacks and, in particular, the specific connection to the fashion, textile, retail and manufacturing industries. It raises awareness of the issues associated with acid attacks in a format that is familiar to the aforementiond industries. With a foreword by the charity’s patron, HRH Anne, the Princess Royal, the lookbook tells Patricia Lefranc’s personal story through moving and hard-hitting messages, illustrated by portraits of Patricia by Rankin.

Research suggests a correlation between legitimate business uses of acid and the incidence of acid attacks in parts of the global south. This was especially noticeable in areas with industries such as fashion and textile that require sulphuric acid in large quantities. With this campaign, ASTi aims to engage industry partners to strengthen processes for a more responsible supply chain.

Rankin : “I have a special affinity with the fashion industry, and I’ve been delighted to see the changes that have taken place within the industry in recent years to make it more sustainable and responsible. When ASTi explained to me the issue of acid misuse within supply chains, I knew I had to take action.”

Patricia Lefranc : “Many people are unaware of the enormous pain and suffering that acid attack survivors go through. I’m so grateful to Rankin for this opportunity to raise awareness of our situation, and to take steps together to prevent further attacks.”

Jaf Shah, Executive Director of ASTi : “Industry has a key role to play in stopping incidences of acid attacks. We’re so grateful to the Virtue Foundation with HRH Princess Anne for writing the foreword to the lookbook and, of course, to Patricia and Rankin. With their support, we aim to partner with businesses and make the changes needed to achieve this goal together.”

Phil Patterson, Chair of the ZDHC MRSL Council and Wastewater Council : “Corrosive substances are routinely used for dyeing, printing and finishing in the fashion industry. There is a significant opportunity to improve how they are transported, stored, dispensed and handled within factories to both reduce the risk of injury to workers and to reduce access to substances that could be used in premeditated acid attacks.”

About Tear Couture – The ‘Tear Couture Look Book’ has been created with McCann Health London, an IPG Health company. It is a continuation of the agency’s ‘Tear Couture’ campaign which launched an ASTi report at St. James’s Palace in March, 2022, in the presence of HRH Princess Anne. In partnership with the Thomson Reuters Foundation, Trustlaw and international law firm Covington, the ASTi report on supply chain considerations for dangerous corrosives, such as acids, contains a toolkit with five key recommendations for corporations.

Maurice Mikkers’ photography of microscopic tears – which also features in the lookbook – was turned into an immersive VR experience, in which the user journeys through a 3D tear landscape while listening to survivors’ testimonies and a specially composed track by Nitin Sawhney. Acid Survivor’s Trust International – ASTi.

ASTi is a UK-registered non-profit charity and the only international organization whose sole purpose is to end acid violence at a global level. It has partnered with and received grants from the United Nations, the British Government and numerous foundations on delivering medical, legal, awareness-raising, advocacy, rehabilitation and livelihood projects in multiple countries including India, Pakistan, Nepal, Bangladesh, Uganda, and Cambodia.

ASTi was awarded an Impact Award in 2019 by the Thomson Reuters Foundation for its work on changing UK law. Supporting Stats  The total cost of reported acid attacks to UK society over the past five years exceeds £200 million. However, the actual figure of attacks (and therefore associated costs) is higher than that as not all police forces respond to FOI requests.

ASTi estimates that the number of global attacks exceeds 10,000 each year. But this is a very conservative estimate as governments in many countries do not maintain official records of acid attacks.

A report on acid violence by the Avon Global Center for Women and Justice, Cornell Law School and the Virtue Foundation states: “Evidence suggests a correlation between legitimate business uses of acid and the incidence of acid attacks. In Bangladesh, for example, the incidence of acid violence is highest in districts where the acid-using garment and jewelry industries are prevalent.”

“Similarly, in Pakistan, acid attacks occur at high rates along the ‘Cotton Belt’ of Pakistan, i.e., in South Punjab and Upper Sindh (central area), where the cotton and garment industries are concentrated and acid is used in production. Indeed, acid attackers perpetrated 77% of all reported attacks in Pakistan’s ‘core’ cotton zone areas of the Punjab region.” From a report by the Ellen MacArthur Foundation: ‘A New Textiles Economy: Redesigning Fashion’s Future’ (2017).

GoSee : ellenmacarthurfoundation.org

GoSee : asti.org.uk

Credits

Advertising Agency
McCann Health London
Creative Director
Guy Swimer
Model
Patricia Lefranc
Fotografie
RANKIN

Mit dabei

Über RANKIN

Rankin made his name in publishing, founding the seminal monthly magazine Dazed & Confused with Jefferson Hack in 1992. It provided a platform for innovation for emerging stylists, designers, photographers and writers. The magazine went on to forge a distinctive mark in the arts and publishing spheres, and developed a cult status forming and moulding trends, and bringing some of the brightest lights in fashion to the foreground.

Rankin has created landmark editorial and advertising campaigns. His body of work features some of the most celebrated publications, biggest brands and pioneering charities, including Nike, Swatch, Dove, Pantene, Diageo, Women’s Aid, and Breakthrough Breast Cancer. He has shot covers for Elle, German Vogue, Harpers Bazaar, Esquire, GQ, Rolling Stone and Wonderland. His work has always endeavoured to question social norms and ideas of beauty and, in late 2000, Rankin published the heteroclite quarterly Rank, an experimental anti-fashion magazine celebrating the unconventional.

In 2001, Jefferson and Rankin launched AnOther Magazine. With a focus on fashion, originality, and distinction. In response to the expanding menswear market, in 2005 AnOther Man was introduced, combining intelligent editorial with groundbreaking design and style. More recently, the Dazed Group has established itself as an online authority, via AnOthermag.com, Dazeddigital.com and Dazedtv.com. Rankin celebrated Dazed & Confused’s 20th anniversary, shooting 20 front covers of Dazed favourites and 20 inside covers of the next generation of talent, for the December 2011 issue.

Tapping into the consciousness of the 90s and 00s with his intimate approach and playful sense of humour, Rankin became known for his portraiture of bands, artists, supermodels and politicians. Having photographed everyone from the Queen of England to the Queen of Pop, Rankin is often seen as a celebrity photographer. However, his plethora of campaigns and projects featuring ‘real women’ marked him out as a genuinely passionate portrait photographer, no matter who the subject. Always pursuing personal projects which push his limits, high impact charity projects, and groundbreaking commercial campaigns, Rankin has stood out for his creative fearlessness. His first major worldwide and award-winning campaign – Dove’s ‘Real Women’ – epitomised his approach: to reveal the honesty of the connection and collaborative process between photographer and subject. Personal or commercial, Rankin’s images have become part of contemporary iconography, evidence of his frankness and passion for all aspects of modern culture, and its representation in the photographed image.

Rankin has published over 30 books, is regularly exhibited in galleries around the world, as well as his own London gallery. His museum-scale exhibition ‘Show Off’ opened at NRW Dusseldorf in September 2012, pulling in over 30,000 visitors in 3 months.

 In the last few years, he has frequently turned his hand to studies of photography through TV presenting. Working with the BBC, he has featured in a number of seminal documentaries – ‘The Seven Photographs that Changed Fashion’, ‘South Africa in Pictures’, ‘Shooting the Stars’, ‘The Life Magazine Photographers’ and most recently, an in-depth documentary into the modern approach to death in, ‘Alive: In the Face of Death’. His affiliation with charities has seen Rankin travel the world, creating powerful campaigns both as a photographer and a director. With Oxfam, he visited the Democratic Republic of the Congo and Kenya, and in 2011 hosted an Oxglam exhibition, featuring work from some of the world’s most talented emerging young photographers, and raising money for the charity. 2013 sees a planned trip to Jordan and Lebanon with Oxfam.

In 2009, Rankin undertook the biggest project of his career – Rankin Live, a mammoth, interactive spectacle and exhibition. Always interested in the democratisation of the image, and also a keen advocate of the amazing digital advances of the photographic industry, Rankin Live was the culmination of the accessibility and speed of modern photography. Rankin proved that everyone can look like a magazine cover star as, for 7 straight weeks, he photographed people off the street, one every 15 minutes – retouching, printing and hanging the image within half an hour of the shutter being fired. Rankin photographed over 1600 Londoners, before then taking Rankin Live on tour in Mexico and New York.

In 2011, Rankin Film Productions was born. Rankin developed a taste for film directing music videos, commercials, and short films with co-director Chris Cottam between 2002 and 2009, including their debut feature film, The Lives of Saints. Written by Toni Grisoni (Fear and Loathing in Las Vegas), it won the grand jury prize at the Salento International Film Festival. Since 2009, Rankin has continued to direct independently on both commercial and personal projects. Taking on the new role of Executive Producer, Rankin recently founded Collabor8te, in association with The Bureau and Dazed TV. Collabor8te calls on scriptwriters and directors to submit their ideas for narrative film, promising to turn a selection of these dreams into a reality, producing them, featuring them on Dazed TV, and running them on the international film festival circuit.

In November 2011, Rankin returned to magazine publishing with a fresh offering – The Hunger. A biannual fashion, culture and lifestyle magazine, The Hunger and its associated Hunger TV website – a video-based digital platform featuring in-depth interviews, fashion films, blogs, updates, and previews – marked Rankin’s return to the fashion world with an understanding that the future is not only printed but digital too.

Rankin lives in London with his wife, Tuuli, and son, Lyle.

GoSee : rankin.co.uk

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