Mährlein von Perfall

The campaign and lookbook for the label AKOG, aka A Kind Of Guise, were photographed and filmed in the picturesque Camargue region of southern France, known for its wetlands, legendary white wild horses, and its authentic yet relaxed cowboy culture.

This was no coincidence. The brand's defining characteristic is its conceptual approach: each collection tells the story of a journey. Twice a year, the team dedicates itself to a region whose culture, nature, craftsmanship, and…

The campaign and lookbook for the label AKOG, aka A Kind Of Guise, were photographed and filmed in the picturesque Camargue region of southern France, known for its wetlands, legendary white wild horses, and its authentic yet relaxed cowboy culture.

This was no coincidence. The brand's defining characteristic is its conceptual approach: each collection tells the story of a journey. Twice a year, the team dedicates itself to a region whose culture, nature, craftsmanship, and…

For the latest LEXUS ES 2026 campaign, photographer David Daub captures the new premium sedan in a refined and elegant visual language. Minimalist architecture, expansive landscapes and carefully crafted natural light draw attention to the sculptural silhouette of the new Lexus ES.

WILDFOX RUNNING welcomes photographer and director duo Mährlein & Luma von Perfall, whose work sits at the intersection of portraiture and fashion, shaped by intimacy, intuition and a strong sense of timing.

"Photographer and director duo Julian Mährlein & Luma von Perfall combine a sensitive and culturally aware approach to imagery that sits at the intersection of portraiture and fashion. With quiet intimacy and hidden beauty, intertwined with a playful eye for capturing…

More edge, more attitude, more sensitivity for the imperfect: WILDFOX RUNNING now represents Marta Giunipero – an illustrator who doesn’t construct visual worlds, but reveals them. Trained in Italy (IED Turin, Illustration & Animation), Marta has been working across editorial, publishing and visual communication since 2016 – and that’s exactly where things get interesting: her work feels raw, fragmented, multilayered.